Anamorphosis
1.2m, Polylactic Acid, Epoxy Resin, Sand, Metal, Acrylic paint
The word "anamorphosis" is a term that originates from the Greek words "ana-", meaning "back" or "again," and "morphe," meaning "shape" or "form."
Anamorphosis transcends its literal application in the visual arts and becomes a metaphor for the multifaceted nature of reality and the subjectivity of perception. It encapsulates the idea that truth is not a fixed entity but one that changes shape depending on the position from which it is viewed.
Anamorphosis invites contemplation on the relativity of understanding and the limitations of perspective. A statue designed with anamorphic principles does not merely exist to be seen; it exists to be experienced and to challenge.
1.2m, Polylactic Acid, Epoxy Resin, Sand, Metal, Acrylic paint
The word "anamorphosis" is a term that originates from the Greek words "ana-", meaning "back" or "again," and "morphe," meaning "shape" or "form."
Anamorphosis transcends its literal application in the visual arts and becomes a metaphor for the multifaceted nature of reality and the subjectivity of perception. It encapsulates the idea that truth is not a fixed entity but one that changes shape depending on the position from which it is viewed.
Anamorphosis invites contemplation on the relativity of understanding and the limitations of perspective. A statue designed with anamorphic principles does not merely exist to be seen; it exists to be experienced and to challenge.
1.2m, Polylactic Acid, Epoxy Resin, Sand, Metal, Acrylic paint
The word "anamorphosis" is a term that originates from the Greek words "ana-", meaning "back" or "again," and "morphe," meaning "shape" or "form."
Anamorphosis transcends its literal application in the visual arts and becomes a metaphor for the multifaceted nature of reality and the subjectivity of perception. It encapsulates the idea that truth is not a fixed entity but one that changes shape depending on the position from which it is viewed.
Anamorphosis invites contemplation on the relativity of understanding and the limitations of perspective. A statue designed with anamorphic principles does not merely exist to be seen; it exists to be experienced and to challenge.